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Set to Dvorak’s “Stabat Mater” and danced with purpose and clarity by Susan Roemer and Joshua Reynolds, and with elegance by the company, “Stabat” alludes to the modernist ballets of Antony Tudor, which are at once grounded in the ordinary and weighted and tragic. But unlike Tudor, Smuin runs out of ideas midway and devolves into sentiment womens ballet flats uk online. With Reynolds as a ghost come to visit grieving Roemer, the work echoes Giselle, though twisted for an age of global terror. And if “Stabat” is a nod to “Giselle” then “Eternal Idol” is a bow to a steamy Victoria Secret ad. In a work inspired by Auguste Rodin’s sculpture of an amorous couple rising out of and pressed into a boulder, Smuin presents lovers, here the supple Robin Cornwell and elegant Joshua Reynolds, in beige unitards in a pas de deux of kitschy ardor. Relying on suggestive leg battements, basic turns and uneventful leaps — all orgiastic exclamation points — “Idol” is inarticulate enough to be right at home in a classy strip club..

By contrast, “Tango Palace” is the kind of ballet the late choreographer excelled at — a sensual and occasionally comic homage to tango parlors via ballet that makes good use of Smuin’s musical theater know-how. This is a dance that knows it is a show piece and sidesteps “Idol” tastelessness. Smuin may miss the complex nature of tango leg entanglements — they are a form of battle, not just of sex — but artistic director Cecile Fushille has sharpened the dance’s contours and made the eight-dance medley show off the sultry talent of the company, with a spotlight on Jonathan Mangosing and Mallory Welsh womens ballet flats uk online.

Mason Bates, 35, whose deep ties to the Bay Area include his doctorate in composition from UC Berkeley, his many nights spinning electronica as an Oakland-based DJ and his current collaboration with the San Francisco Symphony as a Project San Francisco composer, is a multiple prizewinner whose “Alternative Energy” received its world premiere in Chicago exactly one week ago. The new work is a four-part “energy symphony,” if you will, that incorporates Bates’ trademark laptop-injected electronica while following the arc of the sparks from Henry Ford’s automobile forward through the development of nuclear reactors and into a distant, possibly scary future. Maestro Muti has it sandwiched in between, fittingly enough, Arthur Honegger’s momentum-building “Pacific 231” from 1923, a pulsing, 6½-minute paean to the steam locomotive, and Cesar Franck’s 1888 Symphony in D minor womens ballet flats uk online. That concert takes place at 8 p.m. Tuesday in Davies Symphony Hall..

The following night, Muti and company will highlight a new piece from British-born composer Anna Clyne, 31, whose “Night Ferry” represents her first work for full orchestra (and is receiving its world premiere tonight, under Muti’s baton, in Chicago.) Clyne has worked with choreographers and filmmakers and visual artists, and will have a new ballet premiere in Houston later this year. While she was composing “Night Ferry,” referencing at Muti’s suggestion the works of Franz Schubert, she covered her studio wall with three huge canvases, subdividing each into seven sections, and alternating between painting imagery and bits of poetry onto the sections and composing the music womens ballet flats uk online. Rooted in the concept of creativity and how mental illness can be a contributing factor (Schubert suffered a lifelong affliction with manic depression), “Night Ferry” takes its title from an “Elegy” the poet Seamus Heaney wrote for Robert Lowell. Clyne, who also dipped into poetry by Dante, Bryon and Coleridge for inspiration, describes the work on her website as “music of voyages, from stormy darkness to enchanted worlds. It is music of the conjurer and setter of tides, the guide through the ‘ungovernable and dangerous.’ “..

Muti, who has called “Night Ferry” “a spiritual thunderstorm,” has packaged it between Schubert’s Entr’acte No. 3 from “Rosamunde” and his Symphony No. 3, the “Great C Major,” for Wednesday’s 8 p.m womens ballet flats uk online. performance. Late last month, he extended his two young composers’ stay in residency in Chicago for two more years. Tickets to both performances, $15 to $120, are available at 415-864-6000 or www.sfsymphony.org. A NEW COLLABORATION: The already vibrant early-music scene in the Bay Area has just acquired a new ensemble, with the mellifluous name Harmonia Felice, devoted to the music of the French Baroque, with as many different combinations of their various instruments as the repertoire affords. The members are the ubiquitous Elizabeth Blumenstock, a fine violinist who plays with Philharmonia Baroque and the American Bach Soloists and several other groups; violinist-violist Katherine Kyme; harpsichordist Katherine Heater; violoncellist William Skeen and cellist and gambits Amy Brodo. Their inaugural program highlights a French female composer and harpsichordist who was high in King Louis XIV’s favor, having wowed him with her prowess at the keyboard when she was a 5-year-old moppet. In addition to works by Elisabeth-Claude Jacquet de La Guerre, the concert will include selections from Marin Marais, Jean-Baptiste Barriere, Francois Couperin and others. Harmonia Felice plays at 8 p.m. Friday in Palo Alto’s First Lutheran Church, 7:30 p.m. Saturday in Berkeley’s St. John’s Presbyterian Church and 4 p.m. Sunday in St. Mark’s Lutheran Church in San Francisco. Tickets, $12-$35, are at 510-528-1725 or www.sfems.org..

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