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Possokhov’s “Rite” began with promise. The women slid down the ramped platform like cats in heat, until they pulled their pastel-splashed shifts over their heads and vibrated like butterflies sansha lyrica pointe shoes uk online. But the trite and the bizarre weren’t far behind. Soon, the men got busy hauling the women in spread-eagle position like split sides of beef or losing themselves in the women’s captive crotches with pointless repetition. The appearance of a weird, hotheaded creature — a twinned, centaurlike being (wonderfully embodied by Garen Scribner and James Sofranko) —— would have been comical if its purpose weren’t so dark: to push the bacchanal toward sacrifice. It was a sacrifice that had none of the inevitability of ritual and all of the gratuitousness of a random act of violence..
This was no study of an ancient fertility rite where pounding the frozen earth through dance was designed to waken the juices of the soil, as the people of long-ago Russia were believed to do, with sacrifice of a virgin girl part of the tribal imperative. This was a post-feminist celebration of the martyring of the most vibrant female in a group, and made feminism seem more desperately necessary than ever in this era of One Billion Rising. Not only did no one riot in San Francisco Opera House on Tuesday, the audience response was almost catatonic sansha lyrica pointe shoes uk online.
Mark Morris’ tender homage to men generally, and choreographers Paul Taylor and Merce Cunningham in particular, offered a stunning antidote to the brutish depiction of desire Possokhov staged sansha lyrica pointe shoes uk online. Morris’ title “Beaux” means beautiful in French, is adopted as a word for boyfriends in English and reads like “boyz” for the phonetically inclined. Morris is after all of it and sets the work to the harpsichord music of Bohuslav Martinu. An all-male cast dressed in Isaac Mizrahi’s sassy pastel camouflage unitards against the same patterned backdrop evoked in this and a dozen other ways not only a long military history of male-male love, but Taylor’s homage to soldiers and closeted love in “Sunset” and Cunningham’s 1958 “Summerspace,” with its beautifully controlled bodies in spotted unitards against a speckled backdrop that artist Robert Rauschenberg famously designed..
Morris not only quotes both masters, from the men seated on the ground watching one another as they do in “Sunset” to the controlled body positions from “Summerspace,” he also captures the tender tone of both, bringing to same-sex partnering an unapologetic depth of love and companionship all his own and rarely, if ever, seen on the opera house stage. Dancer Vito Mazzeo’s impeccable line evoked both the elegance of Cunningham and the hunkiness Taylor still goes after sansha lyrica pointe shoes uk online. And the boyish yet manly movement of faunlike Jaime Garcia Castilla and others conjured up the delights of a boy at play..
In Program 4, Wheeldon did something similar for heterosexual pairings in “Within the Golden Hour,” a period of time in photography that refers to the hour at the beginning and end of the day sansha lyrica pointe shoes uk online. The entire cast, but especially leads Sarah van Patten, Luke Ingham, Maria Kochetkova, Joan Boada, Vanessa Zahorian and Damian Smith made human pairing symbolic of the complex, often beautiful mysteries buried in those transitional hours. Ashley Page’s “Guide to Strange Places” in Program 3, by contrast, had nothing inexplicable about it. Rather it rehashed a style of romantic pairing that uses the woman as a paint brush. Not much materializes on such a canvas..