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“Even if you haven’t seen it, most people are familiar with what ‘Don Quixote’ is about.”. Chapman was still a teenager when he was cast in his first “Don Quixote,” dancing Basilio at American Ballet Theatre with Leslie Browne under Mikhail Baryshnikov’s direction red shoe dance contact uk online. He went on to partner with Amanda McKerrow and Cynthia Harvey. When Baryshnikov left ABT, Chapman got a whole new look at the ballet when the company acquired the Bolshoi’s famed production..
“That was a new learning experience,” Chapman says, noting that famed Bolshoi dancer and choreographer Vladimir Vasiliev didn’t speak any English, “so it was a very challenging rehearsal period. He demonstrated a lot, and I was in heaven learning from somebody like him. After learning from Vasiliev and Baryshnikov, those great Basilios shaped my idea of how to approach the ballet.” red shoe dance contact uk online. During Chapman’s 11-year run as director of the Alabama Ballet, he staged “Don Quixote” twice, tailoring his own interpretation by drawing on the elements he liked from an international array of productions. Chapman makes it clear that the version he’s staging at Ballet San Jose is cut from the Petipa/Gorsky cloth..
“It’s still ‘Don Quixote,’ he says. “I made cuts and additions that made it uniquely ours. This is the third time I’ve staged it, and I made it really fit.”. The production is notable on several fronts. For star power, the ballet scored a coup with the recent addition of the powerful Cuban dancer José Manuel Carreño. Playing Basilio, the former ABT principal dancer partners Ballet San Jose principal dancer Alexsandra Meijer as Kitri on Friday’s opening night performance and Sunday’s closing matinee red shoe dance contact uk online.
While the ballet’s enduring popularity has kept it in constant circulation since the 1869 Bolshoi premiere (Petipa greatly expanded it in 1871 for a new Imperial Ballet production), Minkus’ ingratiating music hasn’t fared as well red shoe dance contact uk online. Where definitive scores of Tchaikovsky’s “Swan Lake” and “The Nutcracker” are readily available and universally employed, the score for “Don Quixote” has been treated with less than reverence, pervasively amended, reorchestrated and expanded with interpolations by other composers..
For the BSJ production, Symphony Silicon Valley has gone back to the source. BSJ music director and conductor George Daugherty reached out to English National Ballet librarian Lars Payne, who painstakingly reconstructed Minkus’ original score from the original Bolshoi Moscow and Imperial Ballet St. Petersburg productions. “Minkus himself got in on the act, changing his stuff,” Daugherty says red shoe dance contact uk online. “But over the decades, the ballet changed greatly. People wrote new orchestrations, and then other people rearranged those orchestrations without going back to Minkus’ music. It became a crazy circus of contributors.”..