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Welcome to The Orchestra — a flat-out astounding new app produced by Touch Press, the Philharmonia Orchestra and its principal conductor Salonen. At $13.99, it’s not only one of the best albums — you know, a longish compilation of music — you could purchase for someone this holiday season; it’s an app that could easily change how you consume classical music outside of the concert hall pointe shoes for small feet uk online. Or how we introduce new listeners to symphonic works in the first place. Aside from a chuckle over imagining Beethoven pounding back lager after lager and coming up with something as well-constructed as his Symphony No. 5 — “which might actually be the case,” Salonen allows — the value of the little history lesson was its reminder that orchestra music has been, and can continue to be, an audience-shocker. This argument has not always been the easiest one to make in recent decades. (How many times have you told yourself that a bit more classical music appreciation in your life would be good for you? And how persuasive was that approach?) Even needing to argue that the symphony isn’t as tired a tradition as one might think is to have granted a fairly fatal premise right off the bat..
And yet, even in recent times, new media formats have tended to offer fresh opportunities for unusually powerful symphonic advocacy. The Orchestra, as it happens, harkens back to these past, populist efforts to democratize the public’s understanding of classical music — think Leonard Bernstein’s televised Young People’s Concerts on CBS in the ’60s, or Benjamin Britten’s Young Person’s Guide to the Orchestra (once again used to marvelous effect this year in Moonrise Kingdom) pointe shoes for small feet uk online. But Salonen’s venture wisely avoids trying to recapture the form or mediated rhythms of those storied successes. Physical copies of recordings, after all, are pretty much dead. Conductors aren’t going to be invited back to occupy whole hours of network TV time ever again. So: on to the app store..
The Philharmonia’s success here wasn’t guaranteed merely by its being the first orchestra to upload some videos to a tablet’s app store. Rather, their opening gambit was deeply thought through by people who understand both Mahler and the iPad. Because the best thing about the app is its synchronous way of making you feel and see various musical values at once, you will derive the best experience of The Orchestra by listening only to the musicians, and having the rest of the app’s information delivered visually pointe shoes for small feet uk online. The swooping and aggressive harp glissandos that come during the “Princesses Intercede …” movement of Igor Stravinsky’s “Firebird” ballet are exciting enough as pure sound, but this app gets carried right along with the music’s kinetic qualities: The score speeds expressively through each punchy liftoff in 6/8 time, while, above, a bird’s-eye “BeatMap” graphic of the orchestra pulses to signal which instruments are required at each second in order to whip up the overall noise. The presentation of performance video and graphical information is where the app is elevated beyond being a pleasing curiosity and into something that feels legitimately groundbreaking in our appreciation of music — as though there might be a day when they give out Grammys for app-making. You needn’t be totally comfortable reading musical notation in order to find value in looking at a score; at one vivid juncture of Salonen’s own violin concerto, you can read how the drummer at a “heavy rock kit” is advised to “Go crazy.” (And if you can’t read music, there’s a tablature-style reduction that drives home basic information, in a way that will feel familiar to users of GarageBand.)..
Salonen’s choices of repertoire are gratifyingly diverse: You get a taste of Haydn’s Symphony No. 6, the march to the gallows in Berlioz’s Symphonie Fantastique, and then a dive straight into the ever-more-complex orchestrations of the 20th and 21st centuries. Mahler likes his heavy-as-fuck marches; Stravinsky’s “Firebird” is rhythm-mad and overflowing with folk tunes; and, brash though his self-anthologizing may seem, Salonen’s recent concerto hangs surprisingly well with this exalted company. (A full recording of Salonen’s new work was also released on regular old CDs and MP3s in 2012 pointe shoes for small feet uk online. It’s hearable on Spotify, as well.) All this music is worthy, and all of it is strikingly performed, but more importantly, the app lets you into the music from many angles at once, giving new views on the artistry and technical prowess behind the writing, and playing, of some of the world’s greatest music..
This is revolutionary, because in the half-century after Leonard Bernstein’s famously telegenic lectures, conductors everywhere have followed Bernstein’s example — connecting with audiences by talking at them in between bouts of actually making music pointe shoes for small feet uk online. The problem is that hardly anyone is as charming as Leonard Bernstein. (Useful as it may be, it’s also a momentum-killer for a conductor to stop a symphony rehearsal, turn to the audience, and talk about what just happened.)..