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“Firebird” outlines the Russian fairy tale of Prince Ivan, wandering at night through a forest and coming upon an enchanted garden, where he discovers the mythic bird. Denève began with coaxed sounds, first from the bass viols, then slithering through the orchestra: melody like steam escaping from silent underground caverns. Flutes soon leaped about, flickering like fireflies, and the Firebird’s dance with Prince Ivan unfolded with chamber-like precision, featuring a chorale of winds bloch ballet shoes ad uk online. The “Lullaby” rode on the bassoon’s prayerful melody — principal Stephen Paulson was terrific — while the Finale revealed the Firebird in its winged splendor: sun-dappled, a blood-rush of color and motion..
The program began two hours earlier with Hector Berlioz’s “Roman Carnival” Overture. This piece, too, felt authentic: lilting rhythms, with perfect pizzicato accompaniment to the gorgeous English horn melody, played by Russ deLuna. There’s a certain French idiosyncrasy about Berlioz, and here it was in full flavor: one imagined the composer as a boy in the French countryside, discovering music through his encounters with rural bands and flute-playing shepherds. One problem: There wasn’t enough dynamic variance; the softs, for instance, weren’t nearly soft enough bloch ballet shoes ad uk online. Later in the program, Albert Roussel’s Symphonic Fragments from “The Spider’s Feast” was more exquisitely rendered: tickling atmospherics, reminiscent of Debussy or Ravel, with silky textures from the orchestra, performing on tiptoe. Denève has been championing Roussel in a series of recordings for the Naxos label, and this was fine-spun stuff — but a curio, this ballet music, even at 20 minutes in length..
Saint-Saëns’ concerto was appropriately flamboyant: rippling piano motion from Thibaudet, cresting in waves, flowingly sensuous. Shadowed by the orchestra, the pianist was both dancer and gunslinger, though a little loose with the sustain pedal, in the opening Allegro animato. He produced amazing harp-like effects in the Andante, which features a pentatonic song attributed by the composer to boatmen on the Nile bloch ballet shoes ad uk online. (Saint-Saëns composed the concerto, nicknamed “Egyptian,” while vacationing in Luxor.)..
A celebrated virtuoso — and soloist at this work’s premiere in 1896 — he once said the Finale requires “fingers of steel.” Not a problem for Thibaudet, whose fingers were a blur as he dispatched those final bullet-train flurries up the keyboard. It was dazzling. It was opulent. Just like that pendant on his neck. Final note: For an encore, Thibaudet chose something sparing and refined, Frederic Mompou’s “Jeunes filles au jardin” (“Girls in the garden”). The performance was clear, fragrant, jazzy bloch ballet shoes ad uk online. And seated in a chair at the back of the orchestra was Denève, the conductor, listening in. Clearly, he’s a fan..
Subtitled “The Hierarchical Migration of Birds and Mammals,” “Migration” is a quintessential Lines work because it functions as an abstract collage. Here the poignant images evoke flight and land travel, and the dancers float and torque in undulant but angular shapes set in an aural landscape of wave sounds and birdcalls (created by Miguel Frasconi and Leslie Stuck) bloch ballet shoes ad uk online. We see the women morph into regal, long-legged creatures poised virtuosically on one leg in a concentrated stillness that grips us. Duets become passionate struggles of two creatures bound in often tender turmoil that is existential and spiritual, not psychological. The ensemble blasts up into leaps like a flock of birds scattering up out of a wetlands, and newcomer Paul Knobloch sexily flutters and darts, open shirt catching wind like a parachute..