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Q So what have you been reading in your hunt for another opera subject?. A I read this 800- or 900-page book by Tony Judt, “Postwar,” a pretty amazing book. And then the huge breakup between Sartre and Camus caught my attention for a while…. And I’ve been drawn to Arthur Koestler and more lately to Marcel Reich-Ranicki, a Holocaust survivor who became a hugely influential literary critic in Germany. And just the other day, I was listening to a New York Times podcast, and they were interviewing Robert Caro, who wrote his new volume of the Lyndon Johnson biography, and I went, “Hmmm.” ballet shoes payless uk online.
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Q In any event, you didn’t particularly want Nixon and Kissinger in the balcony?. A I was relieved that they never came to a performance. Because my Nixon was a kind of presidential everyman. And I think it probably would’ve skewed the impression people had of the opera toward it being a personality thing; whereas I was really trying to create a mythic archetype — which I hope I did. A If we set anything in motion, it was the idea that opera could be about our lives, and it could address very, very large issues of what one might call our collective experience, whether it’s the atomic bomb or terrorism or the clash between political ideologies ballet shoes payless uk online.