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I love Wagner. I’ll even sit through a bad production of Wagner, because the music is so wonderful. A I’m drawn to opera, because it is such a large canvas, and I think that themes deep in the psyche of a nation can be addressed in a way that no other art form can quite do it. Maybe a really long novel can do it, or a film by a really great filmmaker, like Coppola was in his “Godfather” period. These are big topics. Who wouldn’t be drawn to them?. A My radar is out ballet shoes payless uk online. I’m almost embarrassed to say how hard I’m looking. I feel it’s what I do best..

Q You mean, writing operas?. A Yes. I enjoy writing symphonic works and string quartets, but I really do feel, if people are going to remember me for anything, it’s likely to be for these works ballet shoes payless uk online. And I really would like to continue this, but I’m just — you’d be amazed how much I read, looking for the right subject. You know “Doctor Atomic” was suggested by (former San Francisco Opera general director) Pamela Rosenberg, and the moment I heard the idea, I knew it was right. And Peter (Sellars) suggested “Nixon in China.”..

Q So what have you been reading in your hunt for another opera subject?. A I read this 800- or 900-page book by Tony Judt, “Postwar,” a pretty amazing book. And then the huge breakup between Sartre and Camus caught my attention for a while…. And I’ve been drawn to Arthur Koestler and more lately to Marcel Reich-Ranicki, a Holocaust survivor who became a hugely influential literary critic in Germany. And just the other day, I was listening to a New York Times podcast, and they were interviewing Robert Caro, who wrote his new volume of the Lyndon Johnson biography, and I went, “Hmmm.” ballet shoes payless uk online.

A Well, here we were, with this opera about all these people who were still alive ballet shoes payless uk online. And I remember the BAM (Brooklyn Academy of Music) production in Brooklyn (in 1987). For all six or seven performances, Harvey Lichtenstein, BAM’s director, had a special section in the balcony roped off, because he never gave up hope that Nixon would come — which would’ve been a real publicity coup. I knew it never was going to happen. Q Did Nixon watch it on PBS, at least?. A I remember once being on the radio with Nixon’s White House attorney. What was his name? Leonard Garment. He was on the board of BAM, and he was a big music guy. I guess he’d been a jazz sax player, and somebody asked him, “Well, did Nixon at least watch it when it was on ‘Great Performances’?” And he said, “Of course, he did! He watched and read everything that was written and performed about him.” This was in the days before you Googled yourself..

Q In any event, you didn’t particularly want Nixon and Kissinger in the balcony?. A I was relieved that they never came to a performance. Because my Nixon was a kind of presidential everyman. And I think it probably would’ve skewed the impression people had of the opera toward it being a personality thing; whereas I was really trying to create a mythic archetype — which I hope I did. A If we set anything in motion, it was the idea that opera could be about our lives, and it could address very, very large issues of what one might call our collective experience, whether it’s the atomic bomb or terrorism or the clash between political ideologies ballet shoes payless uk online.

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